Skip to main content
You are viewing this website as a Domestic Student You are viewing this website as an International Student

You are viewing this website as a Domestic Student

You are viewing this website as an International Student

Domestic Student

I am an Australian or New Zealand citizen.

I am an Australian Permanent Resident (including Humanitarian Visa holders).

International Student

I am not a citizen of Australia or New Zealand.

I am not an Australian permanent resident or Humanitarian Visa holders.

Start of main content

CDU Event

Capturing Nature: early photography at the Australian Museum 1857-1893

Presenter CDU Art Gallery
Date
to
Time
to
Contact person
Eileen Lim
T: 08 8946 6621 E: artgallery@cdu.edu.au
Location Chancellery, Building Orange 12, ground floor, Casuarina campus, NT
Open to Agents (International), All International audience, CDU staff and students, Early career researcher, Government (International), Partners (International), Staff only, Students only, University partners (International)

Taken from the Australian Museum’s extensive archival collection of glass plate negatives, 67 large-format photographic prints showcase the scientific discoveries of Australian Museum scientists between the 1850s and 1890s, while also telling the story of the advent of photography in the young colony, less than 10 years after the birth of photography in Europe.

The images range from the initial tentative experiments in the 1850s to the time when photography was becoming an indispensable part of museum practice in the early 1890s. The subjects vary from a large sunfish and the flipper of a sperm whale to a gorilla and the fragile bones of a flamingo. Most of the specimens photographed at the museum are by taxidermist, Henry Barnes and his son, Henry Barnes Jnr with the help of the AM’s pioneering Curator Gerard Krefft.

Australian Museum Director and CEO, Kim McKay AO, said some of the earliest adopters of photography were scientists.

“They were quick to see its enormous potential for capturing the process of discovery and describing new species which are the foundation of scientific practice,” she said.

“In the Victorian era, museums were the public face of science. At the Australian Museum, the arrival of curator and scientist Gerard Krefft in 1864 marked a fortuitous coming together of skills, experience and technology.”

Gallery opening hours:
Wednesday - Friday: 10 am - 4 pm
Saturday: 10 am - 2 pm

 Image: Humpbacked whale flipper, Megaptera novaeangliae. Photographer © Australian Museum
Image: Humpbacked whale flipper, Megaptera novaeangliae. Photographer © Australian Museum

 

Related Events

  • Kakadu creative practice bg
    to

    Creative Practice Responding to Country

    Join us for this immersive field trip for a small group of creative practitioners to experience Australia's world-heritage landscape, Kakadu National Park. Participants can develop their creative practice (from any discipline/media) with a team of practising artist-teachers as guides and mentors and with further collaboration opportunities.

    Art/exhibition/public program
    Read more about Creative Practice Responding to Country
  • Image of metronome on a landscape background
    Casuarina campus

    Where Lakes Once Had Water

    Artists' floor-talk and launch

    Join Melbourne/Naarm-based artists, Sonia Leber and David Chesworth as they provide insights into the filming and making of Where Lakes Once Had Water.
     

    Art/exhibition/public program
    Read more about Where Lakes Once Had Water
  • Where Lakes Once Had Water, video still
    Casuarina campus

    Where Lakes Once Had Water

    Symposium

    CDU Gallery presents a symposium exploring the intersect between video art, scientific research and First Nation’s customs and knowledge. 

    Art/exhibition/public program, Symposium
    Read more about Where Lakes Once Had Water
Back to top